Track CD-10, "Who Cares?", incorporates elements of "Mono Ski", written by Keith Mansfield, the copyright in the composition and sound recording of which are owned by KPM Music Ltd. The sample of "Rubber Solution" is courtesy of BMG Zomba Production Music Ltd. Published by Chappell Recorded Music Library/BMG Zomba Production Music. Track CD-9, "Transformer", incorporates elements of "Rubber Solution", written by Marlene Moore. Track CD-8, "Just A Thought", incorporates elements of "Touch Of Class" published by and used by courtesy of JW Media Music Ltd. The sample of "Tropical" is courtesy of BMG Zomba Production Music Ltd. Track CD-7, "Feng Shui", incorporates elements of "Tropical" by Nino Nardini. The sample of "Ku Klux Klan Sequence" is courtesy of BMG Zomba Production Music Ltd. Published by BMG Ricordi Music Publishing SpA/BMG Music Publishing Ltd. Track CD-6, "The Boogie Monster", incorporates elements of "Ku Klux Klan Sequence", written by Armando Trovaioli/Angelo Francesco Lavagnino. Published by Trees Music Ltd/Universal Island Music Ltd. Elsewhere", incorporates elements of "Geordie", arranged by Barry Clarke/David Costa/Celia Humphris/Stephen Brown. The sample of "Last Men Standing" is courtesy of BMG Zomba Production Music Ltd. Published by BMG Ricordi Music Publishing SpA/Atmosphere Music/BMG Zomba Production Music. ![]() Track CD-2, "Crazy", incorporates elements of "Last Men Standing", written by Gianfranco Reverberi/Gianpiero Reverberi. ![]() Track CD-1, "Go-Go Gadget Gospel", contains samples from "Goin Down To Freedom's Land", written by Nicholas Flagello, published by Thomas J Valentino Inc. Elsewhere as not only an audacious accomplishment, but one of the year’s best.UK copies can include a 2-page flyer advertising ringtone downloads. As we approach the halfway point of 2006, it’s unlikely that a more vivid or arresting debut will drop this year, marking St. Elsewhere is a rich, slick album that defies easy categorization Danger Mouse’s inventive samples and uncanny ear meshes well with Cee-Lo’s neo-soul stylings, creating a 21st century-ready fusion that the press notes bill as “psychedelic soul.” Said press notes also name check Marvin Gaye, Jeff Buckley, and Prince as musical touchstones, all of which float to the surface more than once during the course of the album: the funky “Online,” the thoughtful “Necromancer,” and the darkly compelling “Just A Thought” mesh and flow wonderfully, making for a cohesive listening experience. ![]() Like Al Green on acid, Cee-Lo anchors Danger Mouse’s undeniable hooks, killer beats, and fat rhythms with his swooping, surreal falsetto shit-hot single “Crazy” burrows deep into your brain and refuses to let go, just as the leftfield cover of the Violent Femmes’ “Gone Daddy Gone” seems perfectly logical amid the musical madness on display. Elsewhere, the funkiest pop record of ‘06 so far. Having previously knocked it out of the park with The Grey Album, Gorillaz’s Demon Days, and the loopy, inspired MF Doom collaboration The Mouse and the Mask, he’s teamed up with the Goodie Mob’s Cee-Lo Green and fashioned St. DJ Danger Mouse is officially a musical Midas.
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